Saturday, June 28, 2008

The Pursuit of Loveliness




Loveliness. There needs to be more of it. This past week we embarked on a movie watching spree of some of the supposedly best movies from 2007. All I can say is, oh my. I am going to sum these movies up in a blink. Here goes:

No Country for Old Men – Shoot, kill, monster guy, shoot kill some more, dreadful, horrible, greed, blood, shoot, shoot, hopeless awfulness, good guy loses, bad guy ends up with a broken arm, older generation is irrelevant and talks gibberish. The End. Okay, the writing was quite good. A watch -able (like a train wreck) film with a sick premise. Big Sigh.

There Will be Blood – They should have used this title for No Country for Old Men, because there wasn’t much blood, just a lot of dirty fingernails, grimy, sweaty, dirty, mean, horrid, awful, people and grunge. There was blood at the end when the despicable, selfish, most likely stinky due to lack of baths old guy whacks the stereotypical Jimmy Swaggert-like sniveling, ridiculously big crucifix wearing bible banger guy with a bowling pin. Oops. I should have said spoiler alert. Sorry. Plot ends midway through movie and it meanders to a short story ending of drunken, sweaty nothingness.

An aside about the short story ending…I have to say a few words on this topic. If you read a lot of short stories, you will find many just … end… boom. No rhyme. No reason. I myself use this technique occasionally because for some reason, it is seems to be the preferred way to wind up a short story, or not wind it up as the case may be. I personally think it is laziness. Some trendy, popular author (in the case of There Will be Blood, Upton Sinclair) ran out of things to say and said to himself “I think I will submit this to see what happens and like The Emperor’s New Clothes, the hapless, sycophant publisher thinking he must be missing something, but doesn’t want to give away his lack of sophistication publishes it and Voila! A literary technique is born. Oh well.

Back to movies…

Bella – Cliché, stupid, did I say cliché? Oh, and it is also cliché. Plot moves forward cliche-ly as follows- another aborted abortion, angst, angst. Cliché angst. Stupid use of scarf. No one wears scarves like this anymore. Movie is a combo plot: Like Water for Chocolate meets Sunshine of the Spotless Mind with a twist of Juno. And this won awards at Sundance? My regard for Sundance plummets. (What is it with Hollywood, and abortion? They are doing mea culpa’s for Roe vs. Wade at an alarming, head spinning rate. Their message is so confusing, no wonder so many young girls are getting pregnant and having the baby and romanticizing the whole thing, I think it is irresponsible.)

Into the Wild – This is actually a good movie. Read the book by Jon Krakauer first, it is really good. He is a wonderful writer then, watch the movie. However, I don’t think Chris McCandless is a hero. I think he must have been troubled and he was foolish. Google Into the Wild and read the many articles, like this one and this one. But so far – it was the best movie.

Live Free Die Hard – Why did I watch this? To make my husband happy. He fell asleep, Emma and I watched it to the bitter end. Why? Why? Oh Why?

And so I write again, loveliness. I am dedicating my blog to the pursuit of loveliness, hence, the picture. Isn't it lovely?

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BLOG FROM THE HEART

BLOG FROM THE HEART

Words to Live By

"...by desiring what is perfectly good, even when we don't quite know what it is and cannot do what we would, we are part of the divine power against evil - widening the skirts of light and making the struggle with darkness narrower."

Mary Ann Evans (George Eliot) Middlemarch

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